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"Why should you bear malice to any one?" says Mona uneasily. "Not even to me?" with a sardonic laugh. When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good..

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"Oh! it isn't here! He has stolen it!" cries she, as one who can admit of no comfort. "And I felt so sure I should find it myself. That was what he was doing when I came into the room. Ah, Geoffrey, sure you didn't malign him when you called him a thief." "Thief!" interrupts Rodney, repeating the vile word again, as though deaf to everything but this degrading accusation. Then there is a faint pause, and then—— As he finishes he moves towards the window, as though bent upon putting his words into execution at once, but Mona hastily stepping before him, gets between it and him, and, raising her hand, forbids his approach. "Weary me! no, indeed. That is one of the very few unkind things you have ever said to me. How could I weary of your voice? Go on; tell me where you keep this magical piano.".