"You had none," said Mrs. Gereth: "you were completely bewildered." "You should have told her, you know, that I had seen you in town only that one time," Fleda observed.!
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"I didn't mean to trouble you to do that. My justification," said Mrs. Gereth, sitting there warmly and, in the lucidity of her thought, which nevertheless hung back a little, dropping her eyes on the gravel—"my justification was all the past. My justification was the cruelty—" But at this, with a short, sharp gesture, she checked herself. "It's too good of me to talk—now." She produced these sentences with a cold patience, as if addressing Fleda in the girl's virtual and actual character of Owen's representative. Our young lady crept to and fro before the bench, combating the sense that it was occupied by a judge, looking at her boot-toes, reminding herself in doing so of Mona, and lightly crunching the pebbles as she walked. She moved about because she was afraid, putting off from moment to moment the exercise of the courage she had been sure she possessed. That courage would all come to her if she could only be equally sure that what she should be called upon to do for Owen would be to suffer. She had wondered, while Mrs. Gereth spoke, how that lady would describe her justification. She had described it as if to be irreproachably fair, give her adversary the benefit of every doubt, and then dismiss the question forever. "Of course," Mrs. Gereth went on, "if we didn't succeed in showing him at Poynton the ground we took, it's simply that he shuts his eyes. What I supposed was that you would have given him your opinion that if I was the woman so signally to assert myself, I'm also the woman to rest upon it imperturbably enough." Fleda was infinitely shaken; she was silent a little. "Yes, I understand. Did she go to you to complain of me?"
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Owen held her hand very firmly and kept it even after an effort made by her to recover it—an effort not repeated, as she felt it best not to show she was flurried. That solution—of her living with him at Ricks—disposed of him beautifully, and disposed not less so of herself; it disposed admirably too of Mrs. Gereth. Fleda could only vainly wonder how it provided for poor Mona. While he looked at her, grasping her hand, she felt that now indeed she was paying for his mother's extravagance at Poynton—the vividness of that lady's public plea that little Fleda Vetch was the person to insure the general peace. It was to that vividness poor Owen had come back, and if Mrs. Gereth had had more discretion little Fleda Vetch wouldn't have been in a predicament. She saw that Owen had at this moment his sharpest necessity of speech, and so long as he didn't release her hand she could only submit to him. Her defense would be perhaps to look blank and hard; so she looked as blank and as hard as she could, with the reward of an immediate sense that this was not a bit what he wanted. It even made him hang fire, as if he were suddenly ashamed of himself, were recalled to some idea of duty and of honor. Yet he none the less brought it out. "There's one thing I dare say I ought to tell you, if you're going so kindly to act for me; though of course you'll see for yourself it's a thing it won't do to tell her." What was it? He made her wait for it again, and while she waited, under firm coercion, she had the extraordinary impression that Owen's simplicity was in eclipse. His natural honesty was like the scent of a flower, and she felt at this moment as if her nose had been brushed by the bloom without the odor. The allusion was undoubtedly to his mother; and was not what he meant about the matter in question the opposite of what he said—that it just would do to tell her? It would have been the first time he had said the opposite of what he meant, and there was certainly a fascination in the phenomenon, as well as a challenge to suspense in the ambiguity. "It's just that I understand from Mona, you know," he stammered; "it's just that she has made no bones about bringing home to me—" He tried to laugh, and in the effort he faltered again. "I made a point of letting Mona know that I should be here, don't you see? That's exactly what I wrote her this morning." Directly after luncheon Mrs. Gereth took her into the garden for a glimpse of the revolution—or at least, said the mistress of Ricks, of the great row—that had been decreed there; but the ladies had scarcely placed themselves for this view before the younger one found herself embracing a prospect that opened in quite another quarter. Her attention was called to it, oddly, by the streamers of the parlor-maid's cap, which, flying straight behind the neat young woman who unexpectedly burst from the house and showed a long red face as she ambled over the grass, seemed to articulate in their flutter the name that Fleda lived at present only to catch. "Poynton—Poynton!" said the morsels of muslin; so that the parlor-maid became on the instant an actress in the drama, and Fleda, assuming pusillanimously that she herself was only a spectator, looked across the footlights at the exponent of the principal part. The manner in which this artist returned her look showed that she was equally preoccupied. Both were haunted alike by possibilities, but the apprehension of neither, before the announcement was made, took the form of the arrival at Ricks, in the flesh, of Mrs. Gereth's victim. When the messenger informed them that Mr. Gereth was in the drawing-room, the blank "Oh!" emitted by Fleda was quite as precipitate as the sound on her hostess's lips, besides being, as she felt, much less pertinent. "I thought it would be somebody," that lady afterwards said; "but I expected on the whole a solicitor's clerk." Fleda didn't mention that she herself had expected on the whole a pair of constables. She was surprised by Mrs. Gereth's question to the parlor-maid.
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