It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Joan had no intention of being lured into the Birmingham parlour. She thought she could see in it a scheme for her gradual entanglement. Besides, she was highly displeased. She had intended asking her father to come to Brighton with her. As a matter of fact, she had forgotten all about Christmas; and the idea only came into her head while explaining to Arthur how his impulsiveness had interfered with it. Arthur, crestfallen, suggested telegrams. It would be quite easy to alter everything; and of course her father would rather be with her, wherever it was. But it seemed it was too late. She ought to have been consulted. A sudden sense of proprietorship in her father came to her assistance and added pathos to her indignation. Of course, now, she would have to spend Christmas alone. She was far too busy to think of Birmingham. She could have managed Brighton. Argument founded on the length of journey to Birmingham as compared with the journey to Brighton she refused to be drawn into. Her feelings had been too deeply wounded to permit of descent into detail.!

“I must try,” agreed Mrs. Phillips, looking up. “What sort of things ought I to talk to him about, do you think?” She looked at him a little incredulously, remembering the bitter periods of strikes and lock-outs.

The conductor seemed impatient. Joan sprang upon the step and waved her hand. “We’ve never had a home exactly,” explained Mrs. Phillips, during their journey in the tram. “It’s always been lodgings, up to now. Nice enough, some of them; but you know what I mean; everybody else’s taste but your own. I’ve always fancied a little house with one’s own things in it. You know, things that you can get fond of.” The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.”