Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins. She looked back at the end of the platform. He had not moved.!

“It’s the frills and flummery part of it that frightens me,” he said. “You wouldn’t think that sensitiveness was my weak point. But it is. I’ve stood up to a Birmingham mob that was waiting to lynch me and enjoyed the experience; but I’d run ten miles rather than face a drawing-room of well-dressed people with their masked faces and ironic courtesies. It leaves me for days feeling like a lobster that has lost its shell.” Joan flushed. What did he mean by cross-examining her in this way? She was not at all used to impertinence from the opposite sex.

He laughed. “Don’t be surprised,” he said, “if I make a mistake occasionally and call you Lena.” There came a wistful look into the worried eyes. “Oh, it was all so different then,” she said. “’E just liked to—you know. We didn’t seem to ’ave to talk. ’E was a rare one to tease. I didn’t know ’ow clever ’e was, then.” “And suppose we do?” agreed Joan, her courage rising. “Why should we shun one another, as if we were both of us incapable of decency or self-control? Why must love be always assumed to make us weak and contemptible, as if it were some subtle poison? Why shouldn’t it strengthen and ennoble us?”