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Moses came to the kitchen door pushing an untemperamental-looking wheel-barrow with a leg in splints, that is, a leg of the vehicle. The barrow was filled with carrots. He was accompanied by Job and Henry. Behind him trooped a merry laughing group of expectant children. “It’s been the best ever,” Jean said, happily. “Do you like it, Sunday School, I mean? I don’t. I like church, though,—the great booming organ, the beautiful singing. And when the minister speaks I just float away into fairy-land and never come back till he says, ‘The-Lord-make-his-face-to-shine-upon-us-amen.’”.
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Conrad
“This here flower aint a mornin’-glory, but the leaves is mighty like it, an’ the flowers is jist as purty.” Moses explained. Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt. The solid rock of the mountain had been cut away from the rear of the house to form a natural, paved court. At the top was a small chicken coop, its wall flush with the wall of rock; and near it grew an oak sapling not larger than Billy’s arm. Lila Williams, with her dark curls falling over a pale blue gingham dress, stood watching the proceedings with impatience. She was yearning to burst into speech. As soon as St. Elmo’s cries were reduced to intermittent gum-droppy sobs she turned to Betty, and looking up trustfully into her brown eyes, she launched forth..
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