Fleda read that last sentence over more times even than the rest; she was baffled—she couldn't think at all of what it might be. This was indeed because it might be one of so many things. She made for the present no answer; she merely, little by little, fashioned for herself the form that her answer should eventually wear. There was only one form that was possible—the form of doing, at her time, what he wished. She would go down to Poynton as a pilgrim might go to a shrine, and as to this she must look out for her chance. She lived with her letter, before any chance came, a month, and even after a month it had mysteries for her that she couldn't meet. What did it mean, what did it represent, to what did it correspond in his imagination or his soul? What was behind it, what was beyond it, what was, in the deepest depth, within it? She said to herself that with these questions she was under no obligation to deal. There was an explanation of them that, for practical purposes, would do as well as another: he had found in his marriage a happiness so much greater than, in the distress of his dilemma, he had been able to take heart to believe, that he now felt he owed her a token of gratitude for having kept him in the straight path. That explanation, I say, she could throw off; but no explanation in the least mattered: what determined her was the simple strength of her impulse to respond. The passion for which what had happened had made no difference, the passion that had taken this into account before as well as after, found here an issue that there was nothing whatever to choke. It found even a relief to which her imagination immensely contributed. Would she act upon his offer? She would act with secret rapture. To have as her own something splendid that he had given her, of which the gift had been his signed desire, would be a greater joy than the greatest she had supposed to be left to her, and she felt that till the sense of this came home she had even herself not known what burned in her successful stillness. It was an hour to dream of and watch for; to be patient was to draw out the sweetness. She was capable of feeling it as an hour of triumph, the triumph of everything in her recent life that had not held up its head. She moved there in thought—in the great rooms she knew; she should be able to say to herself that, for once at least, her possession was as complete as that of either of the others whom it had filled only with bitterness. And a thousand times yes—her choice should know no scruple: the thing she should go down to take would be up to the height of her privilege. The whole place was in her eyes, and she spent for weeks her private hours in a luxury of comparison and debate. It should be one of the smallest things because it should be one she could have close to her; and it should be one of the finest because it was in the finest he saw his symbol. She said to herself that of what it would symbolize she was content to know nothing more than just what her having it would tell her. At bottom she inclined to the Maltese cross—with the added reason that he had named it. But she would look again and judge afresh; she would on the spot so handle and ponder that there shouldn't be the shade of a mistake. "I can easily fancy what the Brigstocks say!" Fleda permitted herself to remark without solemnity.!

He only, at this, like a buffeting swimmer, gave a shake of his head and repeated his question. "Do you mean to tell me I must marry such a woman?" CHAPTER XVI

They went at last, the wiseheads, down to Poynton, where the palpitating girl had the full revelation. "Now do you know how I feel?" Mrs. Gereth asked when in the wonderful hall, three minutes after their arrival, her pretty associate dropped on a seat with a soft gasp and a roll of dilated eyes. The answer came clearly enough, and in the rapture of that first walk through the house Fleda took a prodigious span. She perfectly understood how Mrs. Gereth felt—she had understood but meagrely before; and the two women embraced with tears over the tightening of their bond—tears which on the younger one's part were the natural and usual sign of her submission to perfect beauty. It was not the first time she had cried for the joy of admiration, but it was the first time the mistress of Poynton, often as she had shown her house, had been present at such an exhibition. She exulted in it; it quickened her own tears; she assured her companion that such an occasion made the poor old place fresh to her again and more precious than ever. Yes, nobody had ever, that way, felt what she had achieved: people were so grossly ignorant, and everybody, even the knowing ones, as they thought themselves, more or less dense. What Mrs. Gereth had achieved was indeed an exquisite work; and in such an art of the treasure-hunter, in selection and comparison refined to that point, there was an element of creation, of personality. She had commended Fleda's flair, and Fleda now gave herself up to satiety. Preoccupations and scruples fell away from her; she had never known a greater happiness than the week she passed in this initiation. "And did she ask you also particularly to see him here in town?" Mrs. Brigstock's hideous bonnet seemed to argue for the unsophisticated truth; and it was on Fleda's lips to reply that such had indeed been Mrs. Gereth's request. But she checked herself, and before she could say anything else Owen had addressed their companion. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.