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"You speak as one might who has no aim in life, says Mona, looking at him with sincere pity. When Mona looks piteous she is at her best. Her eyes grow large, her sweet lips tremulous, her whole face pathetic. The role suits her. Rodney's heart begins to beat with dangerous rapidity. It is quite on the cards that a man of his reckless, untrained, dare-devil disposition should fall madly in love with a woman sans peur et sans reproche. "I'll see about it. And, oh, Geoffrey, I do hope you will like me in it, and think me pretty," she says, anxiously, half fearful of this gown that is meant to transform a "beggar maid" into a queen fit for "King Cophetua." At least such is her reading of the part before her. "It was rather better than I anticipated, thank you," not in the haughty tone adopted by her half an hour ago, but, in an unnerved and frightened whisper..
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"No?" arching her brows, and looking really sorry for her. "What a pity! They all come quite naturally to me. I don't remember ever being taught them. The music seemed to inspire me, and I really dance them very well. Don't I Geoff?" "Besides, it may be an exaggeration," suggests Geoffrey "he may not be so bad as they say." "Come in, Dorothy. I want to speak to you." It is a very curious and obsolete, if singularly charming, performance, full of strange bows, and unexpected turnings, and curtseys dignified and deep..
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