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Kneeling down by her, Dorothy lays her head upon Mona's knee, and bursts out crying afresh. Again she has grown silent, as though oppressed with thought; and he too is mute, but all his mind is crowded with glad anticipations of what the near future is to give him. He has no regrets, no fears. At length, struck by her persistent taciturnity, he says, "What is it, Mona?" "Well but a murder at Oola isn't a murder here, you know," says Mr. Rodney, airily. "Let us wait to be melancholy until it comes home to ourselves,—which indeed, may be at any moment, your countrymen are of such a very playful disposition. Do you remember what a lively time we had of it the night we ran to Maxwell's assistance, and what an escape he had?".
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"Perhaps you may not know it," says he, "but you are simply perfection!" "It was one of Nolly's good things," he says, genially. "And you know what he is capable of when he likes! It was funny to the last degree,—calculated to set any 'table in a roar.'—Give it to us again, Nolly—it bears repeating.—Ask him to tell it to you, Violet." "Yet the Princess D—— always calls her train a 'tail,'" says Violet, turning on her piano-stool to make this remark, which is balm to Mona's soul: after which she once more concentrates her thoughts on the instrument before her, and plays some odd old-fashioned air that suits well the dance of which they have been speaking. To pay a compliment perfectly one must, I think, have at least a few drops of Irish blood in one's veins. As a rule, the happy-go-lucky people of Ireland can bring themselves to believe thoroughly, and without hypocrisy, in almost anything for the time being,—can fling themselves heart and soul into their flatteries, and come out of them again as victors. And what other nation is capable of this? To make sweet phrases is one thing; to look as if you felt or meant them is quite another..
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