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A choking sensation, rising from her heart, almost stops Mona's breath; her mouth feels parched and dry; her eyes widen. A sudden fear oppresses her. How is it going to be in all the future? Is Geoffrey's—her own husband's—mother to be her enemy? "Yes, you, and every other man," says Mona, smiling, and raising her loving eyes to her husband. She is enchanted, and stands there for a minute or two spellbound by the glory of the scene before her. Then a desire to see her beloved lake from the great windows in the northern gallery takes possession of her. She will go and look at it, and afterwards creep on tiptoe to the library, seize the book she had been reading before dinner, and make her way back again to her room without any one being in the least the wiser. Anything will be better than sitting here any longer, dreaming dismal day-dreams..

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Meantime, Violet is having rather a bad time in the boudoir. Lady Rodney refuses to see light anywhere, and talks on in a disjointed fashion about this disgrace that has befallen the family. When he reached the place where Wind Sucker lived, he looked into his mouth and saw there many dead people. Some were skeletons and some had only just died. He went in, and there he saw a fearful sight. The ground was white as snow with the bones of those who had died. There were bodies with flesh on them; some who had died not long before and some who were still living. "You have something important to say to me," says Mona, presently, seeing he will not speak: "at least, so your letter led me to believe." Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air..