“I want to give you something quite expensive, Dad,” she said. “I’ve had my eye on it for years.” Joan tried to enthuse; but the words came haltingly. She suggested to Joan a candle that some wind had suddenly blown out. The paint and powder had been obvious, but at least it had given her the mask of youth. She looked old and withered. The life seemed to have gone out of her.!

It represented a long, thin line of eminently respectable ladies and gentlemen in early Victorian costume. The men in peg-top trousers and silk stocks, the women in crinolines and poke bonnets. Among them, holding the hand of a benevolent-looking, stoutish gentleman, was a mere girl. The terminating frills of a white unmentionable garment showed beneath her skirts. She wore a porkpie hat with a feather in it. And then during college vacations, returning home with growing notions and views of her own, she had found herself so often in antagonism with him. His fierce puritanism, so opposed to all her enthusiasms. Arguing with him, she might almost have been listening to one of his Cromwellian ancestors risen from the dead. There had been disputes between him and his work-people, and Joan had taken the side of the men. He had not been angry with her, but coldly contemptuous. And yet, in spite of it all, if he had only made a sign! She wanted to fling herself crying into his arms and shake him—make him listen to her wisdom, sitting on his knee with her hands clasped round his neck. He was not really intolerant and stupid. That had been proved by his letting her go to a Church of England school. Her mother had expressed no wish. It was he who had selected it.

“I was so afraid you would find it out,” he explained. He drove her back to Paris, and she promised to come and see him in his studio and let him introduce her to his artist friends. “He has asked me,” answered the girl with a swagger. “Not sure that it would suit me now. They’re not so nice to you when they’ve got you fixed up. So long.”