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She leans back in her chair, and brings her fingers together, clasping them so closely that her very nails grow white. Her thin nostrils dilate a little, and her breath comes quickly, but no angry word escapes her. How can her lips give utterance to a speech that may wound the mother of the man she loves! She sighs. There is pathos and sweetness and tenderness in every line of her face, and much sadness. Her lips are slightly parted, "her eyes are homes of silent prayer." Paul, watching her, feels as though he is in the presence of some gentle saint, sent for a space to comfort sinful earth. "A great distance," said the man..
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So the grudge, being well watered, grew and flourished, and at last, as I said, the old man made a will one night, in the presence of the gardener and his nephew, who witnessed it, leaving all he possessed—save the title and some outside property, which he did not possess—to his younger son. And, having made this will, he went to his bed, and in the cold night, all alone, he died there, and was found in the morning stiff and stark, with the gay spring sunshine pouring in upon him, while the birds sang without as though to mock death's power, and the flowers broke slowly into life. "It is true," says Violet, evenly. "Yet, dear Mona, I wish you could try to be a little more like the rest of the world." "Not a bit," replied Cold Maker. "We are very comfortable." It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years..
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