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“Billy, my little, little boy!” She lifted the tousled head and pressed her cheek close against his. When Betty returned from school in the afternoon, she beheld snowy billowing apparel on the clothes-line. Mrs. Wopp, being very thrifty in the matter of using up flour and sugar sacks for underwear, had a motley collection of garments suspended by wooden pegs. A night-shirt of Mr. Wopp’s bore the inscription “Three Roses” dimly outlined in pink, while on the southern portion of a pair of more intimate garments could be discerned, fading into palest blue. “Great Western Mills.” The wind was causing a riotous time among the cheerful array of reconstructed sacks, and as Betty ran down the path singing “Twenty froggies went to school,” a sugar sack sleeve of Moses’ shirt embraced a flour sack bosom of his father’s undergarment; and “Pure Cane Sugar“ saluted “Ogiveme’s Mills.” Betty cheerfully performed her task of bringing in the clothes saturated with wind and sunshine. She thought the sweetest smell in the world next to morning-glories and nasturtiums was the smell of clean clothes fresh from the line. “Oh, Mr. Sheriff, you won’t send me off now, will you, when the business is just beginning?”.
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Conrad
“Can you drive?” he asked, anxiously, as he unhitched the horse. He noticed with a second sinking feeling that Jimmy’s face twitched with pain, that his right arm hung limp. “Billy, ask Mr. Patton to let her come to your house! There aren’t any boys.” Jean’s voice trembled with eagerness. When the program was over Moses noticed enviously that Betty was so close to the orchestra that her ear was almost in the trombone. “But I don’t like them to do that, Billy. They ought to stay dead till the play is done. When I see them smiling I feel as if—just as I would if you made fun of me when I cried for my mama,—it takes all the true out of the play.”.
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