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She nods her head gayly as she says this, being pleased at her apt quotation from the one book she has studied very closely. The Wolf said to him, "Do you think that we would look for the home of the only one we fear? He is our only danger. From all other enemies we can run away, but from him no one can run. He strikes and there we lie. Turn back; go home. Do not look for the place of that dreadful one." "Go, Paul!" she says, with vehement entreaty, the word passing her lips involuntarily..
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For a moment her Grace hesitates, then is lost. It is to her a new sensation to be taken about by a young woman to see things. Up to this, it has been she who has taken the young women about to see things. But Mona is so openly and genuinely anxious to bestow a favor upon her to do her, in fact, a good turn, that she is subdued, sweetened, nay, almost flattered, by this artless desire to please her for "love's sake" alone. "Oh, yes, no doubt I am in the wrong, because I cannot bring myself to adore a vulgar girl who all day long shocks me with her Irishisms," goes on Lady Rodney, almost in tears, born of vexation. "A girl who says, 'Sure you know I didn't' or 'Ah, did ye, now,' or 'Indeed I won't, then!' every other minute. It is too much. What you all see in her I can't imagine. And you too, Violet, you condemn me, I can see." He succeeds in taking Mona down to dinner, and shows himself particularly devoted through all the time they spend in the dining-room, and follows her afterwards to the drawing-room, as soon as decency will permit. He has, in fact, fallen a hopeless victim to Mona's charms, and feels no shame in the thought that all the world must notice his subjugation. On the contrary, he seems to glory in it. Two o'clock! The song dies away, and Mona's brow contracts. So late!—the day is slipping from her, and as yet no word, no sign..
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