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"Then, thank you, Mrs. Corcoran, I will have a potato," says Rodney, gratefully, honest hunger and the knowledge that it will please Mona to be friendly with "her people," as she calls them, urging him on. "I'm as hungry as I can be," he says. "Ah," they replied, "he is dead. Five days ago he went out to hunt and he did not come back. What shall we do? We have lost him who cared for us"; and they cried and mourned again. "I want you to see my own work," she says, going up markedly to Mona. "I am glad my garden has pleased you. I could see by your eyes how well you appreciated it. To see the beautiful in everything, that is the only true religion." She smiles her careful absent smile again as she says this, and gazes earnestly at Mona. Perhaps, being true to her religion, she is noting "the beautiful" in her Irish guest..

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Mona starts, and, looking up, sees the Australian coming quickly towards her. "How nice!" says Geoffrey, with a careless smile. "Your 'faint praise' fails 'to damn'! Why, one is nothing nowadays if not eccentric. Well," moving towards the door, with the fox-terrier at his heels, "I shall start on Monday. That will get me down in time for the 12th. Shall I send you up any birds?" She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. "Then tell me where you come from, and perhaps I may be able." She speaks softly, but quickly, as do all the Irish, and with a brogue musical but unmistakable..