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"Tell us, Jenkins," says Nicholas, hastily. "It is, the image of it," returns he, prepared to swear to anything she may propose And then he laughs too, which pleases her, as it proves he no longer bears in mind her evil deed; after which, feeling she still owes him something, she suddenly intimates to him that he may sit down on the grass close beside her. He seems to find no difficulty in swiftly following up this hint, and is soon seated as near to her as circumstances will allow. "It is very probable,—if there ever was such a will. How should I know? I have not cross-examined Warden on this or any other subject. He is an overseer over my estate, a mere servant, nothing more.".
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At first the light of the lamp—so unlike the pale transparent purity of the moonbeams—puzzles her sight; she advances a few steps unconsciously, treading lightly, as she has done all along, lest she shall wake some member of the household, and then, passing her hand over her eyes, looks leisurely up. The fire is nearly out. She turns her head to the right, and then—then—she utters a faint scream, and grasps the back of a chair to steady herself. So Mrs. Rodney says, "It was rather better than I anticipated, thank you," in a tone so icy that his is warm beside it. It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair. A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood..
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