Through swinging doors, she caught glimpses of foul interiors, crowded with men and women released from their toil, taking their evening pleasure. From coloured posters outside the great theatres and music halls, vulgarity and lewdness leered at her, side by side with announcements that the house was full. From every roaring corner, scintillating lights flared forth the merits of this public benefactor’s whisky, of this other celebrity’s beer: it seemed the only message the people cared to hear. Even among the sirens of the pavement, she noticed that the quiet and merely pretty were hardly heeded. It was everywhere the painted and the overdressed that drew the roving eyes. “It was quite good—the matter of it,” Joan told her. “All Roads lead to Calvary. The idea is that there comes a time to all of us when we have to choose. Whether, like your friend Carlyle, we will ‘give up things’ for our faith’s sake. Or go for the carriage and pair.”!

“Give him our love,” he said. “Tell him we came together, at the end.” He clung to her, as a troubled child might, with his arms clasped round her, and his head against her breast. And a mist rose up before her, and strange, commanding voices seemed calling to her.

It would mean his getting out quickly. He seemed quite eager to be gone. They remained confused in her memory, these talks among the wounded men in the low, dimly lighted hut that had become her world. At times it was but two men speaking to one another in whispers, at others every creaking bed would be drawn into the argument. She had been busy at her machine when Joan had entered; and a pile of delicate white work lay folded on a chair beside her.