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"Is your brother, Mr. Rodney, like you?" asks Mona presently. At this Sir Nicholas gives way and laughs out loud, whereon Mona laughs too, though she reddens slightly, and says, "Well, of course the piano will do, though the fiddle is best of all." Mona and Geoffrey have gone to their own pretty house, and are happy there as they deserve to be,—Mona proving the most charming of chatelaines, so naive, so gracious, so utterly unaffected, as to win all hearts. Indeed, there is not in the county a more popular woman than Mrs. Geoffrey Rodney..
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"Yes, I excuse you," he says, with a curious stress upon the pronoun, and a rather strained smile. The room is filling with other people, the last dance having plainly come to an end. Geoffrey, taking Mona's arm, leads her into the hall. "You have not been quite true with me," says Mona, in a curious way, never removing her gaze and never returning his smile. "Are you rich, then, if you are not poor?" "Like me? Oh, no," says Mrs. Geoffrey. "Some of them are really beautiful, like pictures. When I was staying with Aunt Anastasia—the Provost's wife, you remember—I saw a great many pretty people. I saw a great many students, too," says Mona, brightening, "and liked them very much. They liked me, too." "Ay, it looks pretty and gives the child something to do." There is a regretful ring in his tone that induces Geoffrey to ask the next question..
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