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Mrs. Wopp, after ascertaining that the little boy had received no bodily injury, stood mopping her heated face with the half-mended sock. She ceased operations to survey Betty more carefully. “Is theh faywies wound heah, Betty? Can they see us?” inquired the little boy in awe-struck tones. “He ran up and touched noses with Tom like a Feegee Islander,—are they the people that touch noses for ‘How do you do?’”.

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AFTER the disaster of the Fair Ellen, Billy promised his mother to bar explosives from his play, a promise made readily, for “Betsey has been giving it to me good an’ plenty for leaving that door open,” he explained to her. Thus the Alaska trade which the boys intended the Fair Ellen to wrest from Seattle, thereby transferring some of her prosperity to California’s stricken seaport, remained with the northern metropolis; and they sought other outlet for their energies. “You look like some kind-faced happygo-lucky cow, chewin’ her cud,” teased Mrs. Wopp, standing at the parlor door and noting the reminiscent moving of her son’s jaws. Max furnished the milk. “I haf gif mine cow much sugar to make dot milk sweet for Pilly to-day,” he explained happily to Mrs. Bennett. “This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.”.