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"I never heard such awful language," says Rodney. "To tell me to my face that you hate me. Oh, Miss Mona! How have I merited such a speech?" "I hope with all my heart you will," says Mona. That he—who has known so many seasons, and passed through the practised hands of some of the prettiest women this world can afford, heart-whole, and without a scratch—should fall a victim to the innocent wiles of a little merry Irish girl of no family whatever, seems too improbable even of belief, however lovely beyond description this girl may be (and is), with her wistful, laughing, mischievous Irish eyes, and her mobile lips, and her disposition half angelic, half full of fire and natural coquetry..

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Even as Geoffrey is looking at her, full of tender thought, one of the dogs, as though divining the fact that she is being left somewhat alone, lays its big head upon her shoulder, and looks at her with large loving eyes. Turning to him in response, she rubs her soft cheek slowly up and down against his. Geoffrey with all his heart envies the dog. How she seems to love it! how it seems to love her! Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her. "I did mean it. Of course I cannot marry you," says Mona, but rather weakly. The night has left her in a somewhat wavering frame of mind. "I don't want to see her," is the unflinching and most ungracious reply..