"Oh no, not everything; I saw how little I could get into this scrap of a house. I only brought away what I required." The man hesitated. "What can you call it, miss, if it ain't really saved?"!

Fleda stopped in front of her hostess. "I gave him my opinion that you're very logical, very obstinate, and very proud." "Did he seem very angry?"

"I believe you will, if you look at her like that!" "She knows how awfully kind you've been to me," Owen said. He showed such discomfiture that he really gave away their situation; and Fleda found herself divided between the hope that he would take leave and the wish that he should see the whole of what the occasion might enable her to bring to pass for him. "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.