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It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years. "Yes, quite in time," says Mona. Then she pauses, looking at him so earnestly that he is compelled to return her gaze. "You shall have another dance," she says, in her clear voice, that is perfectly distinct to every one; "but you must not call me Mrs. Rodney: I am only Mrs. Geoffrey!" And Mona had marked his embarrassment, and had quickly, with all the vivacity that belongs to her race, drawn her own conclusions therefrom, which were for the most part correct..
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"But, my darling child, I can't help the fact that George Rodney left me the Hall," says Geoffrey, deprecatingly, reducing the space between them to a mere nothing, and slipping his arm round her waist. "And if I was a beggar on the face of the earth, I could not love you more than I do, nor could you, I hope"—reproachfully—"love me better either." "At once," he says, with emphasis. "Come a little farther," he says, gently, slinging the heavy bag across his own shoulders. "There must be a farmhouse somewhere." "Oh, is that their name?—a pretty one too—if—er—somewhat difficult," says Lady Lilias, courteously. "Well as I was saying, in spite of their tails, they really are quite pretty.".
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