"You didn't ask him?" They walked far, to the southwest corner of the great Gardens, where, by the old round pond and the old red palace, when she had put out her hand to him in farewell, declaring that from the gate she must positively take a conveyance, it seemed suddenly to rise between them that this was a real separation. She was on his mother's side, she belonged to his mother's life, and his mother, in the future, would never come to Poynton. After what had passed she wouldn't even be at his wedding, and it was not possible now that Mrs. Gereth should mention that ceremony to the girl, much less express a wish that the girl should be present at it. Mona, from decorum and with reference less to the bridegroom than to the bridegroom's mother, would of course not invite any such girl as Fleda. Everything therefore was ended; they would go their different ways; this was the last time they would stand face to face. They looked at each other with the fuller sense of it and, on Owen's part, with an expression of dumb trouble, the intensification of his usual appeal to any interlocutor to add the right thing to what he said. To Fleda, at this moment, it appeared that the right thing might easily be the wrong. He only said, at any rate: "I want you to understand, you know—I want you to understand."!

If Owen had not come down with them nor joined them later, it was because he still found London jolly; yet the question remained of whether the jollity of London was not merely the only name his small vocabulary yielded for the jollity of Mona Brigstock. There was indeed in his conduct another ambiguity—something that required explaining so long as his motive didn't come to the surface. If he was in love, what was the matter? And what was the matter still more if he wasn't? The mystery was at last cleared up: this Fleda gathered from the tone in which, one morning at breakfast, a letter just opened made Mrs. Gereth cry out. Her dismay was almost a shriek: "Why, he's bringing her down—he wants her to see the house!" They flew, the two women, into each other's arms and, with their heads together, soon made out that the reason, the baffling reason why nothing had yet happened, was that Mona didn't know, or Owen didn't, whether Poynton would really please her. She was coming down to judge; and could anything in the world be more like poor Owen than the ponderous probity which had kept him from pressing her for a reply till she should have learned whether she approved what he had to offer her? That was a scruple it had naturally been impossible to impute. If only they might fondly hope, Mrs. Gereth wailed, that the girl's expectations would be dashed! There was a fine consistency, a sincerity quite affecting, in her arguing that the better the place should happen to look and to express the conceptions to which it owed its origin, the less it would speak to an intelligence so primitive. How could a Brigstock possibly understand what it was all about? How, really, could a Brigstock logically do anything but hate it? Mrs. Gereth, even as she whisked away linen shrouds, persuaded herself of the possibility on Mona's part of some bewildered blankness, some collapse of admiration that would prove disconcerting to her swain—a hope of which Fleda at least could see the absurdity and which gave the measure of the poor lady's strange, almost maniacal disposition to thrust in everywhere the question of "things," to read all behavior in the light of some fancied relation to them. "Things" were of course the sum of the world; only, for Mrs. Gereth, the sum of the world was rare French furniture and Oriental china. She could at a stretch imagine people's not having, but she couldn't imagine their not wanting and not missing. "They're married?"

Owen stared. "Why, for the reason I told you: that Mona won't take another step till mother has given full satisfaction. Everything must be there. You see, everything was there the day of that fatal visit." "Of course I mean their marriage!" Fleda hesitated again. "I haven't the least idea." "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"