"Of course you know by this time that your mother's very sharp," said Fleda. Fleda had stood clutching the knob of Maggie's little painted stair-rail; she took, on the stairs, a step backward. "Why then doesn't she prove it in the only clear way?"!

"I'm trying not to think of myself." Fleda felt the full need of giving a reason for her departure; but at first she only said with cheerful frankness: "I departed."

"Precisely. Yours." "Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art." Fleda, at this, felt that her heroism had come to its real test—felt that in telling him the truth she should effectively raise a hand to push his impediment out of the way. Was the knowledge that such a motion would probably dispose forever of Mona capable of yielding to the conception of still giving her every chance she was entitled to? That conception was heroic, but at the same moment it reminded Fleda of the place it had held in her plan, she was also reminded of the not less urgent claim of the truth. Ah, the truth—there was a limit to the impunity with which one could juggle with it! Wasn't what she had most to remember the fact that Owen had a right to his property and that he had also her vow to stand by him in the effort to recover it? How did she stand by him if she hid from him the single way to recover it of which she was quite sure? For an instant that seemed to her the fullest of her life she debated. "Yes," she said at last, "if your marriage is really abandoned, she will give up everything she has taken."