"Why is it you hate him so?" her hostess abruptly inquired. In spite of ordering tea she had not invited him to sit down; she herself made a point of standing. He hovered by the window that looked into Raphael Road; she kept at the other side of the room; the stunted slavey, gazing wide-eyed at the beautiful gentleman and either stupidly or cunningly bringing but one thing at a time, came and went between the tea-tray and the open door.!

By the day's end it was clear to Fleda Vetch that, however Mona judged, the day had been determinant; whether or no she felt the charm, she felt the challenge: at an early moment Owen Gereth would be able to tell his mother the worst. Nevertheless, when the elder lady, at bedtime, coming in a dressing-gown and a high fever to the younger one's room, cried out, "She hates it; but what will she do?" Fleda pretended vagueness, played at obscurity and assented disingenuously to the proposition that they at least had a respite. The future was dark to her, but there was a silken thread she could clutch in the gloom—she would never give Owen away. He might give himself—he even certainly would; but that was his own affair, and his blunders, his innocence, only added to the appeal he made to her. She would cover him, she would protect him, and beyond thinking her a cheerful inmate he would never guess her intention, any more than, beyond thinking her clever enough for anything, his acute mother would discover it. From this hour, with Mrs. Gereth, there was a flaw in her frankness: her admirable friend continued to know everything she did; what was to remain unknown was the general motive. But Fleda went luminously on; she once more enjoyed her great command of her subject: "I think that when you came to see me at Maggie's you saw too many things, you had too many ideas."

"I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." Fleda knew exactly how much worse, but she felt a delicacy about explicitly assenting: she was already immersed moreover in the deep consideration of what might make "Mummy" better. She couldn't see as yet at all; she could only clutch at the hope of some inspiration after he should go. Oh, there was a remedy, to be sure, but it was out of the question; in spite of which, in the strong light of Owen's troubled presence, of his anxious face and restless step, it hung there before her for some minutes. She felt that, remarkably, beneath the decent rigor of his errand, the poor young man, for reasons, for weariness, for disgust, would have been ready not to insist. His fitness to fight his mother had left him—he wasn't in fighting trim. He had no natural avidity and even no special wrath; he had none that had not been taught him, and it was doing his best to learn the lesson that had made him so sick. He had his delicacies, but he hid them away like presents before Christmas. He was hollow, perfunctory, pathetic; he had been girded by another hand. That hand had naturally been Mona's, and it was heavy even now on his strong, broad back. Why then had he originally rejoiced so in its touch? Fleda dashed aside this question, for it had nothing to do with her problem. Her problem was to help him to live as a gentleman and carry through what he had undertaken; her problem was to reinstate him in his rights. It was quite irrelevant that Mona had no intelligence of what she had lost—quite irrelevant that she was moved not by the privation, but by the insult: she had every reason to be moved, though she was so much more movable, in the vindictive way, at any rate, than one might have supposed—assuredly more than Owen himself had imagined. Owen stared. "You haven't lifted a finger! It's I who have taken possession."