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All this time Mr. Wopp had carried and brushed and shaken stove-pipe lengths until his face and bald head resembled a latticework trellis. Only one length remained to be operated on before proceeding to the upper storey, where the stove-pipe continued its tortuous way to the chimney, warming sundry rooms on its beneficent course. “And you’re my Ladybird sister,” Billy said, very softly for him, and threw his arm about them both. Billy entered with a cat under each arm. “Geewhillikins,” he introduced, “the best fighter in town,” and put down a stub-tailed, gray cat, half as large as the house pets, with “tom-cat” speaking from every hair of him. “I think mamma’s partial,—she lets sister’s cats come in the house, but not mine.”.

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When the house was reached, Eliza Wopp was standing, an effective barricade, at the door, waving her large hands in a gesture indicative of dismay. Moses stoically told his tale of assault. The door opened on a smiling little face, though she tried to keep in the shadow. Still when Billy kissed his mother good-night, caught his sister in his arms and raced up and down with her, singing extravagantly a snatch from some opera, May Nell hid her face and cried again. “Now, Mose, fer the elbow. Stiddy! Don’t shove! Don’t pull! Hole her stiddy!” Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother..