The girl hesitated. "You said a while ago that for me you would do it." "And was Mrs. Brigstock satisfied with your answer?"!

Fleda stared. "Then she's not to live there?" All the girl's effort tended for the time to a single aim—that of taking the thing with outward detachment, speaking of it as having happened to Owen and to his mother and not in any degree to herself. Something at least of this was in the encouraging way she said: "Yesterday morning?"

"Awfully, haven't we?" He spoke with the stupidity she didn't object to. Inarticulate as he was, he had more to say; he lingered perhaps because he was vaguely aware of the want of sincerity in her encouragement to him to go. "There's one thing, please," he mentioned, as if there might be a great many others too. "Please don't say anything about Mona." At this, opening her eyes, Mrs. Gereth sprang straight up. "Get him away from her!" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"