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91-club.-bet is “Before long time altogether no place he stop. God big fella marster belong white man, him fella He make ’m altogether. God big fella marster belong white man, He make ’m big fella garden. He good fella too much. Along garden plenty yam he stop, plenty cocoanut, plenty taro, plenty kumara (sweet potatoes), altogether good fella kai-kai too much. I shall never forget the first big wave I caught out there in the deep water. I saw it coming, turned my back on it and paddled for dear life. Faster and faster my board went, till it seemed my arms would drop off. What was happening behind me I could not tell. One cannot look behind and paddle the windmill stroke. I heard the crest of the wave hissing and churning, and then my board was lifted and flung forward. I scarcely knew what happened the first half-minute. Though I kept my eyes open, I could not see anything, for I was buried in the rushing white of the crest. But I did not mind. I was chiefly conscious of ecstatic bliss at having caught the wave. At the end of the half-minute, however, I began to see things, and to breathe. I saw that three feet of the nose of my board was clear out of water and riding on the air. I shifted my weight forward, and made the nose come down. Then I lay, quite at rest in the midst of the wild movement, and watched the shore and the bathers on the beach grow distinct. I didn’t cover quite a quarter of a mile on that wave, because, to prevent the board from diving, I shifted my weight back, but shifted it too far and fell down the rear slope of the wave..

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🏆 As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again. One slides down the face of a breaker on his surf-board, but he has to get started to sliding. Board and rider must be moving shoreward at a good rate before the wave overtakes them. When you see the wave coming that you want to ride in, you turn tail to it and paddle shoreward with all your strength, using what is called the windmill stroke. This is a sort of spurt performed immediately in front of the wave. If the board is going fast enough, the wave accelerates it, and the board begins its quarter-of-a-mile slide.!

🔥 Download 91-club.-bet “Spare no money,” I said to Roscoe. “Let everything on the Snark be of the best. And never mind decoration. Plain pine boards is good enough finishing for me. But put the money into the construction. Let the Snark be as staunch and strong as any boat afloat. Never mind what it costs to make her staunch and strong; you see that she is made staunch and strong, and I’ll go on writing and earning the money to pay for it.” And that is how it came about that I tackled surf-riding. And now that I have tackled it, more than ever do I hold it to be a royal sport. But first let me explain the physics of it. A wave is a communicated agitation. The water that composes the body of a wave does not move. If it did, when a stone is thrown into a pond and the ripples spread away in an ever widening circle, there would appear at the centre an ever increasing hole. No, the water that composes the body of a wave is stationary. Thus, you may watch a particular portion of the ocean’s surface and you will see the same water rise and fall a thousand times to the agitation communicated by a thousand successive waves. Now imagine this communicated agitation moving shoreward. As the bottom shoals, the lower portion of the wave strikes land first and is stopped. But water is fluid, and the upper portion has not struck anything, wherefore it keeps on communicating its agitation, keeps on going. And when the top of the wave keeps on going, while the bottom of it lags behind, something is bound to happen. The bottom of the wave drops out from under and the top of the wave falls over, forward, and down, curling and cresting and roaring as it does so. It is the bottom of a wave striking against the top of the land that is the cause of all surfs.!🔥