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"Oh, the shameful thought that all the world should be looking at us with horror and disgust, as a people too foul for anything but annihilation! And what is it you hope to gain by all this madness? Do you believe peace, or a blessing from the holy heavens, could fall and rest on a soil soaked in blood and red with crime? I tell you no; but rather a curse will descend, and stay with you, that even Time itself will be powerless to lift." She is perhaps as near being angry with Geoffrey as she can be when one day he pooh-poohs this charitable thought and gives it as his belief that worry had nothing to do with it, and that his mother behaved uncommonly badly all through, and that sheer obstinacy and bad temper was the cause of the whole matter. "In the National Gallery, do you mean?" asks Mona, with a pretty, puzzled frown on her brow. "Oh, no, Geoffrey; I shouldn't like that at all. To be stared at by everybody,—it wouldn't be nice, would it?".
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"I don't see why I shouldn't put in a month there very comfortably," says Geoffrey, indolently, pulling the ears of a pretty, saucy little fat terrier that sits blinking at him, with brown eyes full of love, on a chair close by. "And it will be something new to go to Ireland, at all events. It is rather out of the running these times, so probably will prove interesting; and at least there is a chance that one won't meet every town acquaintance round every corner. That's the worry of going abroad, and I'm heartily sick of the whole thing." This is all. The paper is old, soiled, and has apparently made large acquaintance with pockets. It looks, indeed, as if much travel and tobacco are not foreign to it. Geoffrey, taking it from Mona, holds it from him at full length, with amiable superciliousness, between his first finger and thumb. The utter want of suspicion in his tone drives Lady Rodney to open action. To do her justice, dislike to Mona has so warped her judgment that she almost believes in the evil she seeks to disseminate about her. And witty to talk with,.
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