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"You haven't asked me who I am," says the stranger, as though eager to detain her at any cost, still without a smile, and always with his eyes fixed upon her face. It seems as though he positively cannot remove them, so riveted are they. From the high hill on which they stand, steep rocks descend until they touch the water's edge, which lies sleeping beneath them, lulled into slumber by the tranquil moon as she comes forth "from the slow opening curtains of the clouds." Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it..
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Conrad
"Yes. And after Shakspeare, I like him best, and then Longfellow. Why do you speak in that tone? Don't you like him?" "Mr. Maxwell! Mr. Maxwell!" cries Mona, as he approaches them; and the heavy man, drawing up, looks round at her with keen surprise, bending his head a little forward, as though the better to pierce the gloom. And Violet says, "Yes," obediently, and then the tears come into her eyes, and a smile is born upon her lips, so sweet, so new, as compels Doatie to whisper to Mona, a little later on, that she "didn't think it was in Violet to look like that." "Why not? it just suits him: 'A little, round, fat, oily man of——'".
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