Betty, orphaned at the age of six, had been adopted by the kind-hearted Mrs. Wopp. The child found her chief joy in life, outside of Jethro, Nancy and Job, in a flower-bed. A small plot of ground had been allotted her for her own use, and there every spring for the last four years her precious flowers had bloomed and had filled her eyes with brightness and her soul with gladness. Morning-glories and nasturtiums were the surest to bloom. They climbed the strings so gracefully and turned the old weather-beaten fence where they grew into a tapestry of gorgeous dyes.,
Al Newman took him by the arm, “We’ll have to leave for the show in eight minutes old boy, just a little funeral of your own now.”,
“All but finding the job, mother. Jobs don’t hunt boys; and mine’s going to be waiting for me when the school house door shuts: that is, if I can persuade any man in the town or county that he needs a boy my size.”,
Although the temptation to reckless haste was great, Betty resisted it. It was not long, however, before a pile of shining blue willow-ware was restored to its accustomed place on the oil-cloth-covered pantry shelves, and Betty, seizing her sunbonnet, hurried out of doors.
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But his mother watched out the night.,
“Jimmy, can you stand?”,
An enlarged crayon portrait in a wide gilt frame of Moses as a baby in a state of round cherubic innocent nudity, had been added recently to the mural decorations and was especially well covered with cloths.,
“You don’t catch Billy asleep,” said George, siding with the victorious.
Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.
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The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous.
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“Moses, ef you hev finished yer supper, change yer good clothes an’ go git the cows,” directed his mother. “Betty run an’ fasten up the hens, else the coyotes’ll git them.”
d41to-Xu,
Bingbing-Li
CHAPTER IX.—THE VAUDEVILLE SHOW.
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>The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler.
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