“Hanged if I can see how we are going to get out of it,” he answered Joan cheerfully. “The moment there is any threat of war, it becomes a point of honour with every nation to do nothing to avoid it. I remember my old duelling days. The quarrel may have been about the silliest trifle imaginable. A single word would have explained the whole thing away. But to utter it would have stamped one as a coward. This Egyptian Tra-la-la! It isn’t worth the bones of a single grenadier, as our friends across the Rhine would say. But I expect, before it’s settled, there will be men’s bones sufficient, bleaching on the desert, to build another Pyramid. It’s so easily started: that’s the devil of it. A mischievous boy can throw a lighted match into a powder magazine, and then it becomes every patriot’s business to see that it isn’t put out. I hate war. It accomplishes nothing, and leaves everything in a greater muddle than it was before. But if the idea ever catches fire, I shall have to do all I can to fan the conflagration. Unless I am prepared to be branded as a poltroon. Every professional soldier is supposed to welcome war. Most of us do: it’s our opportunity. There’s some excuse for us. But these men—Carleton and their lot: I regard them as nothing better than the Ménades of the Commune. They care nothing if the whole of Europe blazes. They cannot personally get harmed whatever happens. It’s fun to them.” She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man.!

Mary lived in a tiny house behind a strip of garden. It stood in a narrow side street between two public-houses, and was covered with ivy. It had two windows above and a window and a door below. The upstairs rooms belonged to the churchwardens and were used as a storehouse for old parish registers, deemed of little value. Mary Stopperton and her bedridden husband lived in the two rooms below. Mary unlocked the door, and Joan passed in and waited. Mary lit a candle that was standing on a bracket and turned to lead the way. The silver clock upon her desk struck six. It had been a gift from her father when she was at Girton. It never obtruded. Its voice was a faint musical chime that she need not hear unless she cared to listen. She turned and looked at it. It seemed to be a little face looking back at her out of its two round, blinkless eyes. For the first time during all the years that it had watched beside her, she heard its quick, impatient tick.

She was puzzled for the moment. “Oh, the old clergyman,” she answered, recollecting. “Oh, Calvary. All roads lead to Calvary, he thought. It was rather interesting.” A passing cab had drawn up close to them. The chauffeur was lighting his pipe. Joan started. She had been thinking about Phillips, wondering what she should say to him when they met.