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dear-machine-number-today is "Well, I am, and I'm the person most concerned. Of course I didn't use just those words: I was perfectly civil, quite as civil as she. But I told her I didn't consider she had a right to put me any such question. I said I wasn't sure that even Mona had, with the extraordinary line, you know, that Mona has taken. At any rate the whole thing, the way I put it, was between Mona and me; and between Mona and me, if she didn't mind, it would just have to remain." "It's none of their business, is it?" was Owen's unexpected rejoinder. Fleda had already noted that no one so slow could ever have had such rapid transitions..

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🎮 "They may not have known of my leaving." Fleda wondered afresh; it struck her as scarcely supposable that some sign shouldn't have flashed from Poynton to London. If the storm was taking this term of silence to gather, even in Mona's breast, it would probably discharge itself in some startling form. The great hush of every one concerned was strange; but when she pressed Mrs. Gereth for some explanation of it, that lady only replied, with her brave irony: "Oh, I took their breath away!" She had no illusions, however; she was still prepared to fight. What indeed was her spoliation of Poynton but the first engagement of a campaign? These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"!

🏆 "It will seem very strange to me if you want me. But whatever you ask, whatever you need, that I will always do." "That was why his father, whom he exactly resembles, needed me. And I didn't fail his father," said Mrs. Gereth. She gave Fleda a moment to appreciate the remark; after which she pursued: "Mona Brigstock isn't weak; she's stronger than you!"!

🔥 Download dear-machine-number-today "About bringing home to you?"—Fleda encouraged him. Fleda hesitated; she had not foreseen that so simple an inquiry could disconcert her. "I'm afraid I don't know."!🔥