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"Ah," replied the father, "you see here people who are truly poor. We have no food. For many days the buffalo did not come in sight, and we looked for deer and other animals, which people eat, and when these had all been killed we began to starve. Then I said, 'We will not stay here to die from hunger,' and we set out for the mountains. This is the fourth night of our travels." "Now, do they?" says Mona. "I thought they always wore lovely clothes. In books they always do; but I was too young when with Aunt Anastasia in Dublin to go out. Somehow, what one imagines is sure to be wrong. I remember," laughing, "when I firmly believed the queen never was seen without her crown on her head." They walk up a little gravelled path, on either side of which trim beds of flowers are cut, bordered with stiff box. All sorts of pretty, sweetly-smelling old wild blossoms are blooming in them, as gayly as though they have forgotten the fact that autumn is rejoicing in all its matured beauty. Crimson and white and purple asters stand calmly gazing towards the sky; here a flaming fuchsia droops its head, and there, apart from all the rest, smiles an enchanting rose..

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But Mona does not hear this last addition; she is moving a chair a little to one side, and the faint noise it makes drowns the sound of his voice. This perhaps is as well. "Good gracious, Mona, whom do you mean?" asks he, aghast both at her look and tone. As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure. "Thank you," replies he stiffly; "yet, after all, I think I should bet upon my own chance.".