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The Admiral spoke with a steady face and with a steady voice. He was giving a version of the story which to all intents and purposes was true, and there was nothing in the relation, as previously devised, to alarm his conscience as a gentleman and a man of honour by inaccuracy. "Yes, Nelson is the great sea-poem of the age," said Captain Acton, "and I find more melody in the thunder of his guns than in the prettiest turns of the poetic measure. Are you going home, sister?" "Ho, Bill!" cried Maurice. "Bringin' bay Thomas up to the stable fer winter, eh? Gee! Jim, look at that horse; did you ever see such a change in anythin' in your life?".

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"Oh, Ringdo ain't cross," laughed Billy, "he's only playful. He's over to Teacher Stanhope's. He's so fond of the teacher he won't stay away from him." "I'll keep him away from you so long as you keep away from us, an' hold a close tongue in your head," Billy promised. "Understan', though, it's goin' to be a mighty hard thing to do; I saw him trying the bark of that elm jest under our winder only this mornin'. He's likely aimin' to shin up that tree an' fall on your face, most any night, so if you want your eyes an' your life you'd better do what I say." This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation. "Naw, can't you see if we told our dads that, they'd want 'a know what you an' me was doin' out in Scroggie's bush in the rain, at that hour of the night? No siree, we won't say a word 'bout it.".