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In the meantime Mr. Wopp sitting precariously on the edge of the sofa was examining for at least the two-hundredth time the red plush album which contained the records of the Wopp family, past and present, in picture form. He looked long and earnestly at a tin-type representing a plump, velvet-coated, mop-haired boy of twelve. He sighed deeply.,

“Why do you think he would have whipped you?”,

“I can dance, too,” she said with childish pride.,

Mrs. Mifsud, however, had seemingly heard not a word of the story. In her distress she forgot that Mrs. Wopp was decidedly plebeian in her conversation and otherwise hopelessly unfashionable; all these discrepancies vanished from her mind, and leaning over on the ample bosom, she wept copiously. Mrs. Wopp patted her in a motherly way. “One touch o’ nater makes the hull world a-kin,” she whispered, “Hearten up, Mis’ Mifsud, Moses ’ll find yer little lamb. That boy seems slow, but all’s not gold that’s a-glitterin’. He’s shorely got a nose fer findin’ things. Our black carf got lost on the prairie one day an’ he found it arter everybody else hed giv’ up huntin’.”

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“Yes, Mosey, I jist want to go to my mornin’-glory garding to tell it good-night.” She rubbed her sleepy tear-stained eyes.,

“Well, I must get at my job, too. That’s thinking up things. You fellers do your work an’ get your money; but I got to rustle that money or bust.”,

Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel.,

Ricketty jig and away we go.”