The order was once more corrected. Joan had the consolation of witnessing the childish delight that came again into the foolish face; but felt angry with herself at her own weakness. “I wish you would always be yourself, as you are now,” she said, “and never pose.”!

They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. They both laughed. “He’s a good lad,” said her father.

The question troubled her. It struck her with a pang of self-reproach that she had always been indifferent to her mother’s illness, regarding it as more or less imaginary. “It was mental rather than physical, I think,” she answered. “I never knew what brought it about.” Joan hadn’t: except once on the stairs when, to avoid having to pass her, he had gone down again and out into the street. From the doorstep she had caught sight of his disappearing coat-tails round the corner. Yielding to impishness, she had run after him, and his expression of blank horror when, glancing over his shoulder, he found her walking abstractedly three yards behind him, had gladdened all her evening. Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.