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One hand is beneath her cheek,—that is soft and moist as a child's might be in innocent slumber,—the other is thrown above her head. She is exquisite in her abandon, but very pale, and her breath comes unevenly., When the old man has gone, Mona goes quietly up to her lover, and, laying her hand upon his arm,—a hand that seems by some miraculous means to have grown whiter of late,—says, gratefully,—, "Well, perhaps I was," says Geoffrey, easily: "we are all mad on one subject or another, you know; mine may be Mona. She is an excuse for madness, certainly. At all events, I know I am happy, which quite carries out your theory, because, as Dryden says,—.