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“Mary Ellen Smith; but my mama calls me May Nell; and she says—she says ‘kid’ is vulgar.” The last words were very shy. “Just in time, I reckon,” the Sheriff said[219] facetiously; “pull up that chest and come along to our party.” “Why have you been away out in the country for milk?”.

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Jimmy tried not to look pleased, but failed. Something about May Nell attracted him, whether it was her beauty, her fearlessness, or her air of distinction he did not know. It was really her recognition of something fine in him that his cold and irascible father had almost whipped out of him. “Jiminy! I’ll have time in the morning,” he said aloud, and hurried on, not slackening his speed till he came to a sharp turn that took the road against the face of a rugged mountain. He hid his wheel and can in a tangle of rose vine and snowdrop, and stood out on the edge of the steep bluff that overhung the rushing river. There bloomed the island. Near the centre a rocky point was aflame with gorgeous poppies; and Billy could smell the fragrance of the snowy wild heliotrope,—pop-corn the children called it. The theatre was entirely darkened long enough to arrange the grand piano. The pianist approached the instrument to the plaudits of the crowded house. The insult to his audience in the afternoon had succeeded in spreading his fame and a packed house greeted his evening performance. He turned and gazed intently toward the audience. He caught Nell’s glance, who sat near the front as he had wished, and he smiled an acknowledgment of her presence. Ebenezer Wopp became the grateful recipient of a quire of paper for notes. Miss Gordon was enabled to add to the decorations of her bureau a celluloid pictureframe on which were painted vivid blue and pink forget-me-nots. Mrs. Wopp reckoned “to git great comfort fer her corns an’ bungions” in a pair of soft house-shoes..