"Oh, if you speak the word!" the girl murmured very gravely, but happy at least to know that in this direction Mrs. Gereth confessed herself warned and helpless. Then she added: "How can I go on living with you on a footing of which I so deeply disapprove? Thinking as I do that you've despoiled him far more than is just or merciful—for if I expected you to take something, I didn't in the least expect you to take everything—how can I stay here without a sense that I'm backing you up in your cruelty and participating in your ill-gotten gains?" Fleda was determined that if she had the chill of her exposed and investigated state she would also have the convenience of it, and that if Mrs. Gereth popped in and out of the chamber of her soul she would at least return the freedom. "I shall quite hate, you know, in a day or two, every object that surrounds you—become blind to all the beauty and rarity that I formerly delighted in. Don't think me harsh; there's no use in my not being frank now. If I leave you, everything's at an end." "Of its opposite?"!

She couldn't, however, succeed for so very many minutes in deferring her exposure. "Why didn't you wait, dearest? Ah, why didn't you wait?"—if that inconsequent appeal kept rising to her lips to be cut short before it was spoken, this was only because at first the humility of gratitude helped her to gain time, enabled her to present herself very honestly as too overcome to be clear. She kissed her companion's hands, she did homage at her feet, she murmured soft snatches of praise, and yet in the midst of it all was conscious that what she really showed most was the wan despair at her heart. She saw Mrs. Gereth's glimpse of this despair suddenly widen, heard the quick chill of her voice pierce through the false courage of endearments. "Do you mean to tell me at such an hour as this that you've really lost him?" It was all, none the less, not so bad as Fleda had feared; it was faded and melancholy, whereas there had been a danger that it would be contradictious and positive, cheerful and loud. The house was crowded with objects of which the aggregation somehow made a thinness and the futility a grace; things that told her they had been gathered as slowly and as lovingly as the golden flowers of Poynton. She too, for a home, could have lived with them: they made her fond of the old maiden-aunt; they made her even wonder if it didn't work more for happiness not to have tasted, as she herself had done, of knowledge. Without resources, without a stick, as she said, of her own, Fleda was moved, after all, to some secret surprise at the pretensions of a shipwrecked woman who could hold such an asylum cheap. The more she looked about the surer she felt of the character of the maiden-aunt, the sense of whose dim presence urged her to pacification: the maiden-aunt had been a dear; she would have adored the maiden-aunt. The poor lady had had some tender little story; she had been sensitive and ignorant and exquisite: that too was a sort of origin, a sort of atmosphere for relics and rarities, though different from the sorts most prized at Poynton. Mrs. Gereth had of course more than once said that one of the deepest mysteries of life was the way that, by certain natures, hideous objects could be loved; but it wasn't a question of love, now, for these: it was only a question of a certain practical patience. Perhaps some thought of that kind had stolen over Mrs. Gereth when, at the end of a brooding hour, she exclaimed, taking in the house with a strenuous sigh: "Well, something can be done with it!" Fleda had repeated to her more than once the indulgent fancy about the maiden-aunt—she was so sure she had deeply suffered. "I'm sure I hope she did!" was, however, all that Mrs. Gereth had replied.

Mrs. Gereth appeared to recall that scene; she smiled with a serenity remarkably effective as showing how cheerfully used she had grown to invidious allusions to it. "How should she be aware of it?" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" At this she knew. "Poynton's on fire?"