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Of life, or living creature, "Is it murder you want to see?" asks she slowly, in a horrified tone. "Go home, Paddy. Go home to your mother." Then, changing her censuring manner to one of entreaty, she says, softly, "Go, because I ask you." "Oh, no! you don't look like that," says Mona, with a heavenly smile. "You do not seem like a man that could not be 'trusted.'".
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Conrad
But to Geoffrey—lest the telling should cause him unhappiness—she had said nothing of her discovery; only when the morning came that saw him depart upon his mission (now so well understood by her), she had kissed him, and told him to "hurry, hurry, hurry back to her," with a little sob between each word. And when he was gone she had breathed an earnest prayer, poor child, that all might yet be well, and then told herself that, no matter what came, she would at least be a faithful, loving wife to him. "I shall always love you," says the girl, with sweet seriousness, "better than my life. But in that case I should always, too have a regret." Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature." There is a look upon his face that recalls to her his dead father, and Lady Rodney grows silent. The husband of her youth had been dear to her, in a way, until age had soured him, and this one of all his three children most closely resembled him, both in form and in feature; hence, perhaps, her love for him. She lowers her eyes, and a slow blush—for the blood rises with difficulty in the old—suffuses her face..
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