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"I hope your cold is better, Mr Greyquill," said she, making to proceed in her walk. The several long perpendicular lines were possibly intended to represent the forest, but what was meant by the two vertical lines and the crosses directly beneath them Maurice did not know. Also there was a crudely drawn circle and, inside it, a small square. Maybe this was supposed to represent a hollow stump with a squirrel-trap in it, thought the perplexed Maurice. With a sigh of disgust he turned the paper over. Then his eyes brightened. Written there in Billy's cramped hand were these words and characters: "Where have you put that man-eatin' swamp coon?" asked his father as he followed. "I believe he's gettin' cross. You'll have to watch him.".

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They passed on in silence until the hardwood grove came in sight. Here Billy paused. "You go on, Anse," he said. "I'm goin' over to the menagerie fer a look over things. An' see here." He grabbed his brother's shoulder and swung him about. "I'm goin' to tell you something an' if you so much as peep it to Ma I'm goin' to pass the word to Ringdo an Croaker that they're free to do what they like to you; see?" "Hang it all, Bill!" he complained, "what do you see in snakes to make you want'a handle 'em so? I'm scared to death of 'em; I own it." He withdrew a step, and exclaimed: "Lucy, why will you not speak to me? Why will you not look at me? You know that all this is done in the holy name of love, and God who knows me knows that I would not cause you a pang, that your beautiful eyes should not be shadowed by a tear drawn by any action of mine if I could have believed that loving me as I know you do, that loving you as you[Pg 282] know I do, you would have come to me at the summons of my passion, and hand in hand with me as my wife, taken your chance of all that might have followed." "O Croaker," groaned Billy, "why won't you find the gold fer me?" Croaker returned his master's look of reproach with beady, insolent eyes. "Cawrara-cawrara-cawrara," he murmured, backing from the pile, which meant, "Why don't you carry one of these beautiful shiny things home for me? Isn't that what I brought you here to do?".