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"I wish you could!" says Geoffrey from his heart. "Perhaps, as you have been so good at your first guess you will try again," says Mona, still addressing Nicholas, and speaking in a tone of unusual light-heartedness, but so standing that no one can see why her hands are so persistently clasped behind her back. "Now tell me who I was with." "I have given it," returns she, in a low tone,—so low that he has to bend to hear it. "Do not be angry with me, do not—I——".
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He is delighted with her ready response, her gayety, her sweetness, her freshness; was there ever so fair a face? Every one in the room by this time is asking who is the duke's partner, and Lady Chetwoode is beset with queries. All the women, except a very few, are consumed with jealousy; all the men are devoured with envy of the duke. Beyond all doubt the pretty Irish bride is the rage of the hour. "Ah! that is because you are a man, and because you love me," says this astute reader of humanity. "But women are so different. Suppose—suppose she never gets to like me?" "I am very glad," says Mona, in a low tone. Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air..
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