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She now held herself in readiness to depart at the moment in which Ferdinand and Hippolitus, for whose steps in the gallery she eagerly listened, should appear. The castle clock struck twelve. The sound seemed to shake the pile. Julia felt it thrill upon her heart. 'I hear you,' sighed she, 'for the last time.' The stillness of death succeeded. She continued to listen; but no sound met her ear. For a considerable time she sat in a state of anxious expectation not to be described. The clock chimed the successive quarters; and her fear rose to each additional sound. At length she heard it strike one. Hollow was that sound, and dreadful to her hopes; for neither Hippolitus nor Ferdinand appeared. She grew faint with fear and disappointment. Her mind, which for two hours had been kept upon the stretch of expectation, now resigned itself to despair. She gently opened the door of her closet, and looked upon the gallery; but all was lonely and silent. It appeared that Robert had refused to be accessary to their scheme; and it was probable that he had betrayed it to the marquis. Overwhelmed with bitter reflections, she threw herself upon the sopha in the first distraction of despair. Suddenly she thought she heard a noise in the gallery; and as she started from her posture to listen to the sound, the door of her closet was gently opened by Ferdinand. 'Come, my love,' said he, 'the keys are ours, and we have not a moment to lose; our delay has been unavoidable; but this is no time for explanation.' Julia, almost fainting, gave her hand to Ferdinand, and Hippolitus, after some short expression of his thankfulness, followed. They passed the door of madame's chamber; and treading the gallery with slow and silent steps, descended to the hall. This they crossed towards a door, after opening which, they were to find their way, through various passages, to a remote part of the castle, where a private door opened upon the walls. Ferdinand carried the several keys. They fastened the hall door after them, and proceeded through a narrow passage terminating in a stair-case. Old people were queer, thought John, for “balm” was something that was used for wounds—he knew that very well—and yet there lay Jeremias and said that there was balm in those words, “God will never, never forsake thee.” The count Vereza lost his father in early childhood. He was now of age, and had just entered upon the possession of his estates. His person was graceful, yet manly; his mind accomplished, and his manners elegant; his countenance expressed a happy union of spirit, dignity, and benevolence, which formed the principal traits of his character. He had a sublimity of thought, which taught him to despise the voluptuous vices of the Neapolitans, and led him to higher pursuits. He was the chosen and early friend of young Ferdinand, the son of the marquis, and was a frequent visitor in the family. When the marchioness first saw him, she treated him with great distinction, and at length made such advances, as neither the honor nor the inclinations of the count permitted him to notice. He conducted himself toward her with frigid indifference, which served only to inflame the passion it was meant to chill. The favors of the marchioness had hitherto been sought with avidity, and accepted with rapture; and the repulsive insensibility which she now experienced, roused all her pride, and called into action every refinement of coquetry..
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When Ferdinand entered upon the subject of the southern buildings to the marquis, he carefully avoided mentioning the hidden door. The marquis listened for some time to the relation in gloomy silence, but at length assuming an air of displeasure, reprehended Ferdinand for yielding his confidence to those idle alarms, which he said were the suggestions of a timid imagination. 'Alarms,' continued he, 'which will readily find admittance to the weak mind of a woman, but which the firmer nature of man should disdain.—Degenerate boy! Is it thus you reward my care? Do I live to see my son the sport of every idle tale a woman may repeat? Learn to trust reason and your senses, and you will then be worthy of my attention.' It was dynamite, dynamite stolen probably from the work and brought up and stored here for some evil purpose. Evidently Miguel was preparing to strike the first blow in the plot against the dam. Surprise and fury sparkled in the eyes of the ruffian, and he turned with a savage desperation upon the count; who, relinquishing Julia, snatched up the sword of the dead ruffian, which lay upon the floor, and defended himself. The combat was furious, but Hippolitus laid his antagonist senseless at his feet. He flew to Julia, who now revived, but who for some time could speak only by her tears. The transitions of various and rapid sensations, which her heart experienced, and the strangely mingled emotions of joy and terror that agitated Hippolitus, can only be understood by experience. He raised her from the floor, and endeavoured to soothe her to composure, when she called wildly upon Ferdinand. At his name the count started, and he instantly remembered the dying cavalier, whose countenance the glooms had concealed from his view. His heart thrilled with secret agony, yet he resolved to withhold his terrible conjectures from Julia, of whom he learned that Ferdinand, with herself, had been taken by banditti in the way from the villa which had offered them so hospitable a reception after the shipwreck. They were on the road to a port whence they designed again to embark for Italy, when this misfortune overtook them. Julia added, that Ferdinand had been immediately separated from her; and that, for some hours, she had been confined in the apartment where Hippolitus found her. The next day, when Jerry came to Mr. Whitney to tell him of his decision, Bob was there. The engineer listened to the boy and when he had finished told him that he could leave when it was most convenient..
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