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Nothing daunted, however, by this reception, Geoffrey returns his grasp with interest, and, looking fresh and young and happy, runs past him, up the stairs, to his mother's room, to beard—as he unfilially expresses it—the lioness in her den. It is a very cosey den, and, though claws maybe discovered in it, nobody at the first glance would ever suspect it of such dangerous toys. Experience, however, teaches most things, and Geoffrey has donned armor for the coming encounter. "No, it will not shock me," returns Mona, quietly; whereupon he sits down, and Biddy puts a basin on the table, and Mona, with trembling fingers, takes a scissors, and cuts away the shirt-sleeve from his wounded arm. Then she bathes it. "Poor infant! It is her first essay," says Nolly, pitifully..

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"Go to her," says Geoffrey, and Mona, slipping from his embrace, falls on her knees at his mother's feet. With one little frightened hand she tries to possess herself of the fingers that shield the elder woman's face. Mona pours out the tea—which is excellent—and puts in the cream—which is a thing to dream of—with a liberal hand. She smiles at Geoffrey across the sugar-bowl, and chatters to him over the big bowl of flowers that lies in the centre of the table. Not a hothouse bouquet faultlessly arranged, by any means, but a great, tender, happy, straggling bunch of flowers that seem to have fallen into their places of their own accord, regardless of coloring, and fill the room with their perfume. As to Jack and Violet, they have grown of late into a sort of moral puzzle that nobody can solve. For months they have been gazing at and talking to each other, have apparently seen nothing but each other, no matter how many others may be present; and yet it is evident that no understanding exists between them, and that no formal engagement has been arrived at. Still she hesitates, and he is not slow to notice the eloquent pause..