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So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic. "What are you putting up in the garden, Elinor?" asked Madalon, stirring her tea. "I noticed that Henry had a lot of poles planted along the south shrubbery——" "Humph," she said as we went up the front steps, "I'll be glad when you are married and settled, Molly Carter, so the rest of this town can quiet down into peace once more, and I sincerely hope every woman under fifty in Hillsboro who is already married will stay in that state until she reaches that age. But come on in, both of you, and help me get this marriage feast ready, if I must! The day is going by on greased wheels, and I can't let Mr. Johnson's crotchets be neglected, Alfred or no Alfred.".

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They were all rather serious for a silent moment, and then Patricia spoke. Her clear voice was rather low and timid, but her eyes were shining. "More's the pity," sighed Jen, leaning upon the shoulder of Sarby; "but you cherish no anger in your heart now?" "It would seem so from this veracious history the major is telling us, said Etwald, with irony. "It looks sort of whopper-jawed, doesn't it, Miss Pat?" asked David, hesitating. "I can see it's going to be a stunner when it's done, but I guess I'm weak on sculpture anyway. I can't understand it in the green stage.".