“Well, you can’t expect ’em to like it, can you?” submitted Miss Ensor. “Oh, I’m not afraid,” he answered. “I’ll get another place all right: give me time. The only thing I’m worried about is my young woman.”!

At a corner where the trams and buses stopped she lingered for a while, watching the fierce struggle; the weak and aged being pushed back time after time, hardly seeming to even resent it, regarding it as in the natural order of things. It was so absurd, apart from the injustice, the brutality of it! The poor, fighting among themselves! She felt as once when watching a crowd of birds to whom she had thrown a handful of crumbs in winter time. As if they had not enemies enough: cats, weasels, rats, hawks, owls, the hunger and the cold. And added to all, they must needs make the struggle yet harder for one another: pecking at each other’s eyes, joining with one another to attack the fallen. These tired men, these weary women, pale-faced lads and girls, why did they not organize among themselves some system that would do away with this daily warfare of each against all. If only they could be got to grasp the fact that they were one family, bound together by suffering. Then, and not till then, would they be able to make their power felt? That would have to come first: the Esprit de Corps of the Poor. “Can you see him bustling up?” he answered with a laugh; “organizing himself into a body, and working the thing out from the point of view of the public weal? I’ll tell you what nine-tenths of him would do: grow just as much or little as suited his own purposes; and then go to sleep. And Protection would be his security against ever being awakened.”

She reached for her jacket; and the waiter sprang forward and helped her on with it, prolonging the business needlessly. She wished him “Good evening” in a tone of distant hauteur, and led the way to the door. Outside the street was dim and silent. Joan held out her hand. “I was afraid you had forgotten how to do it,” she laughed, when at last he released her. “Do you know, you haven’t hugged me, Dad, since I was five years old. That’s nineteen years ago. You do love me, don’t you?” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.