Mr Lawrence approached the figure of the young lady sobbing against the bulkhead, and placed his hand lightly upon her shoulder. She shook him off with a passionate convulsion of her whole form, which was full of disgust, aversion, and contemptuous wrath. It was a masterpiece of movement, eloquent in the highest possible degree of what she chose him to believe was in her mind. Her mother, Mrs Kitty O'Hara, had been famous for her artful strokes in this way. No actress surpassed her, and few were the equals of Mrs O'Hara in the remarkable gift of personification of passion by action.,
In some strokes of this character he might have indeed believed that she was merely acting, but other features had impressed him to such a degree that, though he was determined—not yet, perhaps—to accept the suspicion, or the persuasion of his own opinion, he, behind the darkest curtains of his heart, felt a fear that his stratagem would force her reason from her brain, that she would go mad when she clearly understood that the ship was bound to Rio to be feloniously sold there, when she realised that she had been ruthlessly torn from her father, from her home, and all that she loved, and that her name must ever bear the stain, happen what might, of Mr Lawrence's ignoble feat of abduction.,
"That's what will happen!" cried Miss Acton. "Would our sailors permit a stranger like Mr Lawrence to steal your daughter and your ship and what is in her, and be dismissed from your service by him at Rio Janeiro with promises of your paying them treble wages when they got home, and applied to you? Oh no, no, no!".
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