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The obscurity of the place prevented Hippolitus from distinguishing the features of the dying man. From the blood which covered him, and from the surrounding circumstances, he appeared to be murdered; and the count had no doubt that the men he beheld were the murderers. The horror of the scene entirely overcame him; he stood rooted to the spot, and saw the assassins rifle the pockets of the dying person, who, in a voice scarcely articulate, but which despair seemed to aid, supplicated for mercy. The ruffians answered him only with execrations, and continued their plunder. His groans and his sufferings served only to aggravate their cruelty. They were proceeding to take from him a miniature picture, which was fastened round his neck, and had been hitherto concealed in his bosom; when by a sudden effort he half raised himself from the ground, and attempted to save it from their hands. The effort availed him nothing; a blow from one of the villains laid the unfortunate man on the floor without motion. The horrid barbarity of the act seized the mind of Hippolitus so entirely, that, forgetful of his own situation, he groaned aloud, and started with an instantaneous design of avenging the deed. The noise he made alarmed the banditti, who looking whence it came, discovered the count through the casement. They instantly quitted their prize, and rushed towards the door of the room. He was now returned to a sense of his danger, and endeavoured to escape to the exterior part of the ruin; but terror bewildered his senses, and he mistook his way. Instead of regaining the arch-way, he perplexed himself with fruitless wanderings, and at length found himself only more deeply involved in the secret recesses of the pile., “I reckon I’ve seen as many as twenty danged fools try this stunt and I’ve never heard of any of them comin’ out the other end—that is, comin’ out breathin’. It’s a pity when the two of you air so young. I’ll be right glad to hear from you ef you do get through, seein’ as how it was my boat. Danged ef I figger I’ll hear, howsomever. Good-bye to you.”, Meanwhile madame developed to the Abate the distressful story of Julia. She praised her virtues, commended her accomplishments, and deplored her situation. She described the characters of the marquis and the duke, and concluded with pathetically representing, that Julia had sought in this monastery, a last asylum from injustice and misery, and with entreating that the Abate would grant her his pity and protection..