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As to Jack and Violet, they have grown of late into a sort of moral puzzle that nobody can solve. For months they have been gazing at and talking to each other, have apparently seen nothing but each other, no matter how many others may be present; and yet it is evident that no understanding exists between them, and that no formal engagement has been arrived at. But now the poor old grandmother was afraid. "I dare not tell him that," she exclaimed. "He would kill me, and you. His anger would be fearful." "Ah," they replied, "he is dead. Five days ago he went out to hunt and he did not come back. What shall we do? We have lost him who cared for us"; and they cried and mourned again..
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Conrad
"So I can," says Geoffrey. Then, not for any special reason, but because, through very love of her, he is always looking at her, he turns his eyes on Mona. She is standing by the table, with her head bent down. "Oh, no; because if you can sing at all—that is correctly, and without false notes—you must feel music and love it." "Look at him, under that fern there!" exclaims Mona, in her clear treble, that has always something sweet and plaintive in it. "On your right—no! not on your left. Sure you know your right, don't you?" with a full, but unconscious, touch of scorn. "Hurry! hurry! or he will be gone again. Was there ever such a hateful bird! With his good food in the yard, and his warm house, and his mother crying for him! Ah! there you have him! No!—yes! no! He is gone again!" Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud.".
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