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Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. The perturbed lady wisely let the question pass not being absolutely clear herself as to the operation involved in the casting of lots. She hastened to take up the thread of the story. “She won’t do it; she said so before. She wants to be Alan-bane.”.
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kez_ h (Kez_h)
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Conrad
“I c’d eat a rhindoceros,” he confided to Clarence. Betty was still faintly laughing at Moses’ spirited retort to his mother’s observations on his singing. Billy suspected his mother was waiting for him; he must hurry, he thought. Yet he couldn’t resist showing off a bit. He bent over his wheel, went by the girls with a rush and a “Hello!” made a neat turn, wheeled a figure “8” around a team or two, shouted, “Don’t frame up anything there!” as he passed a second time, and whizzed through the arch in his own high hedge with one wheel in the air. On Moses Wopp devolved the responsibility of driving the ladies of the household over the two miles of prairie lying between the Wopp ranch and that of Mrs. Mifsud. Betty, too, was going. The Ladies’ Aid did not meet every day, nor had it always on hand the alluring business of an autograph quilt, on which flourished in outlined boldness the name of every man, woman and child in the district and many out of it..
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